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Upgrading acoustics

If you ask any serious acoustician, she/he will tell you that there’s no such thing as a perfect room. It just simply does not exist. There are too many variables involved, so even if you really start from scratch, hire the best of the best, and build your own place, it may be the most precise in the whole World, but it probably won’t be absolutely perfect.

Our studios are very well designed and treated, however, during the years we still find minor things that bother us, which might be corrected. Of course there is our B chain processing, but it is much better to solve all possible issues at the source, with the help of proper acoustic treatment, and use the B chain processing do as small as possible.

During the last and this busy year we’ve been gathering all our pet peeves about the rooms we mix in, and the time has come to consult a real professional. We’ve measured and tried to correct smaller problems ourselves, but there are a number of things that truly needs professional assistance.

Bruel Kjaer sound source
Bruel Kjaer sound source

Today the professional team visited our studios and made thorough measurements in many spots in all the rooms, measured near-field, mid-field, far-field and speaker responses. After they gathered all the necessary data, now they’re back in their trusty labs and drawing boards to come up with solutions which won’t break our budget, but hopefully solve the remaining issues.

Proper acoustic treatment is never really cheap, however, with a real professional you might end up with many cheaper trick that really works instead of your half-baked ideas that might cost you more without real result.

Our issues centred around the low area, 70 to 90Hz and around the 250Hz area. The surround room has the chance to be the “almost perfect” room, the others can become fantastic rooms too, but require a bit more work (and money of course).

The real world test for me is always the successful mixes I can produce in a room. With successful I mean the quality of translation to the outside world, be it cinema, tv, radio or earbuds. The other important thing is how accurate the monitoring in the room. Can I hear the difference in plugins? Does the small pan or other parameter changes clearly audible both in stereo and surround? Does it show the smaller but compression or noise reduction artefacts? If a big YES is the answer, then I’m a happy mixer.