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Native or DSP

I always hear that native is the future. And honestly I think it’s true. But then many says we can throw out our DSP solutions because native is already has plenty of power, and it is in fact a better choice than any DSP solution available today. This is where I usually raise my eyebrows.

I know that post production and scoring is a somewhat special part of the industry, requires immense power, usually much more than a regular music or simple production. For example in scoring it’s a daily practice to deal with hundreds of tracks more often than not mixed in surround. Even without too many plugins, the size of the session is a huge burden on any machine. Just quickly add up for example 200 tracks divided into 5 stems, all with its own audio subgroups, own effects. To this you must add the final routing and the stem recorder tracks. This all have to work together without any issue. And imagine if you need to EQ a few things, want to use some dynamics processing, special effects, saturation, spatial effects. Oh, and don’t forget the last steps in the chain, the stem processing, which is essentially a high quality mastering chain in surround, and it’s usually the same on all stems.

So while I definitely think that native is the future, I don’t think that we are already there. Here’s a screen photo of the current score mix I’m working on, and it still lacks some material, so it’s going to be bigger.

This is a trashcan MacPro with Pro Tools HDX2. Imagine if all this would be on the MacPro, which is a very powerful machine by the way.