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3rd workflow

Last time as I introduced the second workflow, you might have thought that life is all sunshine and if you’re good enough, you’ll have a hard time spend the enormous amount of free time you have. Well, this is not the case.

Today, I introduce you one of the most used workflow which involves much more work than the previous one.

3rd workflow – real post production

In this case we still have our trusty big Studer Vista system for two reasons. One is to have enough preamps for all the things we need to record, and the second is to mix a well balanced usable audio guide master so the picture department will be able to start editing after the event. It doesn’t matter what type of act/show/concert, it is your job to make solid mix. Not only the picture guys need this, but all the parties involved in the production are going to use your mix to evaluate and make decisions. Decisions about additional recordings, possible retakes, if it’s a music project then the band is going to use this mix to decide if they need some corrections. While this might seem like a too big thing to ask, honestly I love this part for several reasons.

First, you’ll become familiar with the material, when you’re going to start the post process, you’ll already know the possible weak spots.

Second, after the event, because you spent long hours with the production, you’ll have the knowledge to make a really efficient master session.
Third, if you made notes during the event (or you have such a good memory that you can remember every tiny detail) you know what things you need to correct. For example who are the actors or interviewees who needs special treatment, etc.
Four, because you’ve been involved from the start, your mix sessions going to be really enjoyable as you know every detail, you’ve already went through the material multiple times so you have more time to experiment and be creative.

So, you’re ready with the recording part, have your raw tracks and your stellar guide mix.

Post production

The guide track is good for everyone involved in the production, and it can also serve you if something seems to be missing or in question. So for safety and reference you should keep that muted in your session, maybe hidden in the track list. The next thing is editing. To clean out the junk from the tracks, make the fades, etc. As you can see, from now on, it’s the usual post process:

  • editing
  • temp mix
  • final mix
  • approval


So you literally recreate the show from scratch. The workflow can be modified if enough stem had been recorded, but most of the time, because of the complexity of the show that won’t help.

One tip. Always compare your finished final mix to your guide mix. You may be surprised! Believe it or not, it’s absolutely possible that your guide mix will blow the finished one out of the water. If that happen, you might want to work harder. The spontaneity and creativity of a live mix can be spectacular sometimes.

This is one of the most used workflow here, although we’re working on some change to make the whole thing more efficient.